2025
This project explored the relationship between bookbinding, user experience, and the physicality of printed matter. I researched the history of the Miss America pageant, focusing on themes of femininity, performance, and national identity. To reflect the topic, I designed the book using a pink color palette, referencing traditional notions of beauty and gender. I also experimented with separately printed images that could be inserted, layered, or repositioned, allowing them to interact dynamically with the layout and typography. This hands-on approach emphasized the tactile nature of books and invited readers to engage with the content in an active, playful way.
2025
This Project was my first issue as Club Rambutans Lead and Solo Editorial Designer. I expirimented with binding, printing, and differnt size pages, to create a more interactive reading expirinece.
2025
Editorial spread designed for a small ASU student industrial design zine, inspired by Art Nouveau at the author’s request.
2025
Magazine editorial design created to showcase multidisciplinary artists and writers in a visually compelling and effective way.
2025
Poster for small local art exhibit.
2026
Poster for vintage market.
2025
School exhibit poster design.
rmwagne7@asu.edu
@designgalriri
2022 - 2026
Bachelor of Science in Design (BSD), Graphic Design
Minor in Fashion
Art Director + Editorial Designer
January 2024 - January 2026
Sandow Design Group
Graphic Design Intern
May 2025-August 2025
Sandow Design Group
Graphic Designer
Contracted
August 2025-Present
ENVY Magazine
Editorial Designer
Decmeber 2025-Present
Freelance Designer
August 2025-Present
Founder and Editor in Chief
Club Rambutan
mmanaog22@gmail.com
Jamin Mobasher
Creative Director
Club Rambutan
Jmobashe@asu.edu
Photoshop
Indesign
Figma
Adventive
CSS
HTML
Book Binding
Printing
2022
New American Award
2023
New American Award
2024
New American Award
2025
Deans List
2022
Deans List
2023
Deans List
2024
Deans List
2025
Me!
Last Updated 24.10.31
2024
This project involved creating a logo form using a randomly assigned letter and number — in my case, the letter H and the number 7. I designed a Kanji-inspired logo for a fictional furniture company, blending minimal structure with symbolic form. The business system — including an envelope, letterhead, and business card — showcases how the branding is applied across touchpoints, reflecting my careful curation of the brand’s aesthetic.
2024
Branding for a small surfing company designed to feel youthful, subversive, and challenge traditional surf aesthetics, with a logo and identity aimed at building a cult following.
2025
In this project, I redesigned the packaging for the Japanese candy brand Hi-Chew. My goal was to modernize the design while capturing the brand’s playful and vibrant spirit. I also incorporated Japanese text to honor its heritage and emphasize its cultural roots.
2025
Freelance project designing a logo for a vintage and upcycling clothing brand, intended for use on garment tags and labels. The client requested a dainty, feminine visual direction.
2025
Freelance project creating a digital album cover for R&B/rap artist Bbyterra, with a visual direction inspired by childhood nostalgia.
2025
Logo design for the Neuro Inclusive Design Summit, created to reflect neuro-inclusive principles through modular forms, soft visual language, and pathway-inspired elements emphasizing accessibility and inclusion.
2026
Clean, minimal recipe card design focused on clarity, hierarchy, and ease of use.
2025-2026
Various web ads designed for digital campaigns across multiple platforms.
2025
Data-visualization–driven slide deck designed to present complex information in a sleek, clear, and easily understandable way.